Agent Palmer

Upload is a good show on Amazon Prime that could be great if it didn’t follow the binging streaming formula. (The following may contain spoilers.)

The writing and biting social commentary on future capitalism, technology, and relationships that still manages to hit close to home. But, and this is, for me, what keeps this show from being a great show, is the “whodunnit” nature of the plot throughline.

When people say, “I just don’t get into sport” it really doesn’t matter what sport you’re trying to get them into or to watch or experience. Often, there’s little you can do to get them to give it a chance. You may inevitably counter them with the point that sport, in almost any and every form is more than just the sum of its parts, and that’s the main reason that people enjoy watching it.

Most of the time, it’s the things that happen off the field, off the track, off the court, that build and bleed onto those places to enrich the drama of the athletic contest.

Amazon Prime describes this original as “An unlikely friendship. A lost love resurfaced. A marriage at its turning point. A date that might not have been a date. An unconventional new family. These are unique stories about the joys and tribulations of love, each inspired by a real-life personal essay from the beloved New York Times column ‘Modern Love.’”

I’ve never read the column, and I’m not Romantic Comedy averse, but Modern Love is a much more elevated form of series, where the individual pieces work, but the overall message is clear, concise, and shouted at every angle.

Genndy Tartakovsky’s Primal is beautiful in its diverse aspects of minimalism, the depth of the main characters, honest in its depictions of violence, with wondrously organic animation and well-directed no dialog communication. Simply put, all together, Primal is a work of art.

The show follows a caveman “Spear” and a Tyrannosaurus “Fang” brought together in the pilot episode by tragic circumstances…