Of all things Geek. I am…
Continuing on the path set forth in J.R.R. Tolkien’s The Hobbit and starting from the ending point in The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug, is exactly what we have come to expect from Peter Jackson.
Added bits from The Silmarillion and other Tolkien texts, as well as, some additions by Jackson’s team of writers make up the second leg of The Hobbit Trilogy.
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Thus far in my Rotospective on Ralph Bakshi, I’ve taken a deep look into his films and for all but the first look into Wizards, I discussed the conclusions of those films and their meanings and lessons. The reason being that my first post on Wizards was relatively or arguably spoiler free, unless you’ve seen the film in which case I’m not spoiling anything by ending the post with a [BANG!].
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In February of 2013 Ralph Bakshi launched a Kickstarter campaign to fund “Last Days of Coney Island.” The project to be “an animated cop, mafia, horror movie set in the 1960s in Coney Island, with political overtones both realistic and outrageous” was funded by a very successful and impressive Kickstarter campaign, which garnered the sum of $174,195 from 1,290 backers. Release is slated for 2014.
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Coonskin, produced under the titles Harlem Nights and Coonskin No More… and later released under the titles Bustin’ Out and Street Fight, is a movie that takes a deep look into the race relations of America during the time of it’s release 1975.
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Movies are for entertainment. Music is for entertainment. Even with today’s portable technology, you will get the most out of a movie, by sitting down and watching it. By that same standard, today’s technology allows us to take our music with us everywhere we go.
Movie soundtracks, allow us to listen to great playlists created by movie directors that we can take with us and listen to. They represent the original mixed tapes.
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