Of all things Geek. I am…
One of the main themes throughout the Battlestar Galactica remake was that “All this has happened before, and all of it will happen again.”
When it comes to the now infamous October 30, 1938 Mercury Theatre radio broadcast adaptation of H.G. Wells’ The War of the Worlds, this sentiment is completely relevant in our current social media, news-of-the-moment Internet society.
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There exists a generation in between Generation X and the Millennial Generation that has been called The Oregon Trail Generation. This is because those of us, myself included, who are of a certain age fondly remember spending hours playing The Oregon Trail. But The Oregon Trail as a game doesn’t belong to just one generation, it belongs to everyone.
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When I’m doing research or writing post drafts “old school” with pen and paper, I listen to vinyl records on a turntable in the basement of my house.
I don’t exclusively listen to vinyl, mind you. It’s just something different. I also don’t consider myself a hipster, either. So I wonder from time to time, not only why I do it, but why there is a cult-like movement that occurred to bring it back?
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In 1989, Ralph Bakshi submitted “This Ain’t Bebop” to PBS’s Imaging America anthology, consisting of four shorts. The whole short is based around one man, played by Harvey Keitel, trying to reclaim the life he once had. It’s origin lies in a poem recanted throughout the short, which was written by Bakshi himself.
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Developed by Papyrus Design Group and distributed by Electronic Arts (EA), Indianapolis 500: The Simulation, known as Indy 500, was simplistic and grand all in a singular game that was released for DOS and Amiga.
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