Of all things Geek. I am…
Released on March 18, 1997 Nine Lives was the first studio album released by Aerosmith since 1993’s Get a Grip and the first on Columbia Records since 1982. Since that time, Aerosmith had revived their career on Geffen, and this four-year period was their longest album drought since the creation of the band at that point.
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Generally speaking, I would say Creedence Clearwater Revival is the forgotten great band of their era. When conversations about the greatest rock bands pop up, before people start acknowledging their preference for Lynyrd Skynyrd or Aerosmith or Thin Lizzy as outliers, the default options are The Beatles, The Rolling Stones, Led Zeppelin, Cream, and the like.
But as the Netflix music documentary Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall reminds us all, there was a time when CCR was the absolute cream of the crop!
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High school movies come out all the time. They are often similar, with tried and true tropes to get the next generation watching the same stuff as the previous one. Metal Lords is a bit different.
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The Netflix original film Quincy isn’t just a great documentary about Quincy Jones’ prolific music career. It’s a great reminder that, as an icon, Quincy’s reach and the scope of his work went far beyond entertainment and into social justice and the ongoing inspiration of generations.
Whatever you conjure in your mind when you read about Quincy Jones on the page or in this post, is just a fraction of what he has accomplished…
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Peter Jackson already took on one impossible theatrical endeavour, by bringing the Lord of the Rings to life in live-action. To do so, hard decisions had to be made about what made it in, and while I am still sore about Tom Bombadil not making the cut, I do understand.
With The Beatles: Get Back, Jackson has undertaken a similar task. Fans of Tolkien are as knowledgeable about their passion as Beatles fans are.
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