Of all things Geek. I am…
Blonde, the much maligned fictionalized biopic of Marilyn Monroe from director Andrew Dominik and based on the novel by Joyce Carol Oates, may just be the art film to end all art films.
It plays with color and sound, aspect ratio and focus, cameras and camera angles, light and darkness, and hard cuts and pans. Put simply, it’s all of the things you can do with a film all in one film.
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Tommy and the Order of Cosmic Champions is dripping with the neon nostalgia of the 1980s as we remember, or at least as modern media will never let us forget.
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“If America is a lunatic asylum then California is the… Violent Ward.” Deighton’s Violent Ward, which takes place during the Rodney King trial and subsequent verdict and riots not only captures the moment, but the chaotic false bravado of Hollywood as well.
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Until I became a self-sufficient consumer, there was only one movie I had ever watched on opening weekend. In fact, until I could buy my own tickets, it was the first film I’d seen within the first few weeks of release: Jurassic Park.
It was wet. It might have been raining when we arrived or at some point during the film or earlier in the day, but that’s how I remember it. What I know for sure is that I was 10 years old and going to the drive-in with my parents to see Jurassic Park on the big screen. That kind of memory sticks with you.
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Michael Crichton’s Prey is a parable for technological advancement gone amok. It starts with an introduction to “Artificial Evolution in the Twenty-first Century,” which allows Crichton to weave a better story and set the stage for Prey to read more like a play than a novel.
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