Agent Palmer

One hundred two years ago on April 15th, 1912, the RMS Titanic was on it’s maiden voyage. As we all know, it ended in tragedy at the bottom of the North Atlantic Ocean after striking an iceberg. It was one of the greatest transportation calamities of the 20th Century only rivaled by the Hindenburg disaster 25 years later.

In the 102 years since it’s sinking, the world has had a growing fascination with this ship, culminating in many documentaries and movies, perhaps most famously with James Cameron’s blockbuster “Titanic” in 1997, but that’s hardly the most accurate depiction.

The First, Second and Third Rounds of the 2014 Division I NCAA Men’s Basketball Tournament have come and gone.

Why do we watch it with such fervor? What is it about this tournament that captures our interest and passion?

Some of it is gambling, some of it is the drama, some of it has to do with underdogs and some of it has to do with watching Goliath fall.

In early March we start to hear things like; bracketology, RPI, eye test, automatic bid, Cinderella, sleeper, dark horse, and it all means that the Madness of March is approaching.

A time, when for a brief moment at least, in the United States, everyone is connected to their media devices wondering who will win in the NCAA Basketball Tournament and how it will affect their bracket and what each win or loss will do to their standing in the office bracket pool.

On January, 18th, 2014, the Los Angeles Times Entertainment Section ran an article that was titled, “Paramount stops releasing major movies on film.” I’m very aware of the new technologies that exist – digital media players have made physical albums a thing of the past and streaming video services have made DVDs virtually obsolete – so the fact that Paramount is “the first big Hollywood studio to embrace digital-only U.S. releases” should come as a natural progression.

But I, for one, don’t really know how I feel about this. Sure, I consume music and watch movies and television shows through various streaming services, but I’m not ready to go completely digital.