Of all things Geek. I am…
“Cadel Piggott’s parents thought he was brilliant… and dangerous. His therapist thought he could rule the world. They were right.” This is the description on the back of the paperback edition of Evil Genius by Catherine Jinks, and it’s a fairly decent spoiler-free description.
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Generation A examines “a world where bees are extinct, until five unconnected people from around the world–in the United States, Canada, France, New Zealand, and Sri Lanka–are all stung.”
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I know that I’ve written about the Edge of the World Broadcast before, but it deserves ongoing discussion because each time a new season drops, Joel Mengel raises the bar on what radio dramas are compared to where they used to be. Season Three is no different.
In Season One, I called the show “wondrous and mysterious,” and in Season Two I said it was “even more engaging and engrossing.” Season Three starts with a great recap of those two seasons…
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Star Trek: The Motion Picture, the first large widescreen format of the Enterprise, first released in 1979. To this point, The Original Series and The Animated Series have been comforting and positive, if not downright enjoyable adventures throughout space under the banner of the Federation. Those two series also, at this point, represent all of my Trek experience.
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I decided to pick up Downtown Owl again. I originally read it much closer to its release in 2008 for two reasons. First, Klosterman is an author whom I enjoy, and because I want to include a review or an essay on each of his works on this blog I was surprised that I hadn’t reviewed Downtown Owl before. Considering that I read it before this blog started, that makes a ton of sense.
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